Rita Deanin Abbey
Art Museum

By appointment only –

Open Thur-Sun


4 on display, 14 in series

Four Rita Deanin Abbey Paintings hang on the wall. 3 are acrylic and mixed media relief paintings featuring female nudes. The three paintings are 'Orange Hair' (1974), 'Black Girl' (1972), and 'Dance Eternal' (1974). At an angle sits the 4th painting. It is an oil painting of another female nude titled 'Ophelia' (1962)

Abbey’s figurative works are not restricted to a single period; examples date from 1962 through 1983 and include two- and three-dimensional figures in various media. During her career, Abbey worked on several projects simultaneously, extensively experimenting with materials and techniques. In the Early Figurative Series, 1962–1967, she created portraits and imaginative figures in landscapes using oil paint, oil pastel, ink, graphite, and charcoal. Her figurative work reveals her anatomy study and life-long experience of drawing from the model. 

Abbey actively pursued numerous disciplines in the arts throughout her career. In 1967, she used acrylic paint for the first time and experimented with different methods of applying it to canvas. Investigation of the human figure continued from 1972 to 1974 when she mixed such materials as sand and sawdust with acrylic paint to create textured surfaces.

Series Highlights

Rita Deanin Abbey, Dance Eternal, 1974
Rita Deanin Abbey, Love Figure, 1972
Rita Deanin Abbey, Orange Hair, 1974